Yasukuni Shrine

Yasukuni Shrine's main hall

Our road to Tokyo’s controversial Yasukuni Shrine started with empty stomachs.

It’d been months since we’d visited the gluttonous paradise of Loving Hut‘s vegetarian buffet. I loosened my belt, hopped on the train and headed for Tokyo’s Chiyoda ward. It’s hard to justify the nearly three-hour round trip just for lunch, so we figured we’d also check an item off our “to-see list” and hit up Yasukuni Shrine as well.

Lunch was even better than anticipated and I approached it with the vigor of a man facing his last meal. I was reminded of an early episode of The Simpsons, which also had a great joke about “fish bread” that sums up our typical eating-out experiences in Japan…

Yasukuni Shrine Flea Market

After the feast, it seemed prudent to walk the mile to Yasukuni Shrine. Approaching the main gate, we saw a couple tents set up selling used clothing. Then we noticed that the tents just kept going and going.

The path to Yasukuni Shrine was lined with vendors for the twice-monthly Yasukuni Flea Market
The path to Yasukuni Shrine was lined with vendors for the twice-monthly Yasukuni Flea Market

We’d lucked into the twice-a-month Yasukuni Shrine Flea Market. 150 vendors line the entry path to the shrine, hawking everything from the aforementioned clothes to pottery, books, toys and more. Secondhand goods are a rare find in Japan as it is, so stumbling upon a flea market is like finding gold at the end of a rainbow.

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The prices were also lucky for Tokyo standards, with nice pieces of tableware going for just 300 yen (about $2.50 USD). Viktoria scored a pair of boots for just 200 yen ($1.65) from a vendor who was also a terrible negotiator. The price started at 400 yen, but when we noted they were a bit too small, she lowered the price to 300 yen. When we pointed out a small pull in the zipper, she dropped it to 200 yen. My guess for her negative-negotiating fervor is the boots are cursed… only time will tell!

Yasukuni Shrine's main hall
Yasukuni Shrine’s main hall

A Controversial Memorial

Yasukuni Shrine itself isn’t any more spectacular than any of the other major shrines in Tokyo, but its history is far more polarizing. Established in 1869, Yasukuni enshrines the spirits of those who died in battle while fighting for Japan. At present, nearly 2.5 million people have been deified in the shrine.

The official stated purpose of the shrine is as as memorial to those soldiers, relief workers and factory workers who supported various war efforts. However, critics view the shrine as a monument to Japan’s imperial military past. The first soldiers to be enshrined fought for Emperor Meiji in Japan’s civil war (Boshin War), which effectively ended the Edo Period and shogunate rule in Japan.

Yet, it was the post-World War II enshrinements that cast the shrine in its current controversial light. More than 5,700 Japanese military personnel were convicted of war crimes by international tribunals in the years following the war. Class A charges were levied against the leaders who planned and directed the war, most notably General Hideki Tōjō,  Japan’s prime minister and the man responsible for the bombing of Hawaii’s Pearl Harbor in 1941. The remaining ranks were charged with Class B and C infractions for “conventional” crimes as well as crimes against humanity.

War criminals were initially excluded from enshrinement in any Japanese shrine. In 1954, the government began to loosen the restriction and Class B and C criminals were enshrined at Yasukuni over an 8-year period beginning in 1959.

In 1970, the shrine resolved to accept the Class A war criminals for enshrinement, a decision that mostly flew under the radar at the time. However, the residing priest postponed the enshrinements until after his death. In 1978, the Class A criminals were enshrined in a secret ceremony.

Japan’s wartime emperor Hirohito refused to visit the shrine after the enshrinement; a close advisor wrote that the emperor was “displeased” with the decision to include the Class A criminals. His son, the current Emperor Akihito (who incidentally celebrated his 82nd birthday yesterday), has never visited the shrine.

A simple visit to the shrine can put public figures under unwanted spotlight. An October visit by two mid-level Japanese cabinet members led to official condemnations from the governments of China and South Korea, two countries who suffered greatly at the hands of the Japanese during the war. China’s Foreign Ministry publicly criticized pop star Justin Bieber after he was photographed at the shrine during a 2014 visit.

In November, a bomb exploded in a shrine restroom during the annual autumn festival. The bomb was believed to be a politically-motivated response to the remilitarization of Japan’s armed forces—a purely-defensive organization since the end of WWII.

Erasing The Past?

As far as I know, the Chinese Foreign Ministry hasn’t publicly condemned our visit. The only real difference I noticed from any other shrine is that photographs were strictly forbidden. A solitary security guard waved off anyone attempting to photograph the shrine up close. The shrine’s website has strict rules about media coverage that apparently extends to the average visitor.

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Yūshūkan, a military museum located on the shrine’s grounds, doesn’t do much to help the image of glorifying the war era. A statue of a tokko pilot—better known as a kamikaze pilot—stands outside the musuem. An A6M “Zero” fighter plane, similar to the ones that attacked Pearl Harbor, is on display in the museum’s front room.

Yasukuni raises an interesting question about how to embrace the questionable parts of a country’s past. Is it right to ignore the souls of two million soldiers who were just following orders, no different than any other soldier of any other nation during any other war?

Japan, for its part, has spent much of the last 70 years apologizing, but the current government is starting to back off that policy, much to the outrage of China, Korea and others. Short of Japan fully falling on its sword over WWII atrocities—effectively committing modern-day political suicide—the conflict between these countries isn’t going anywhere.

The sun shining through the willow trees in Yasukuni’s Shinchi Teien garden
The sun shining through the willow trees in Yasukuni’s Shinchi Teien garden

Embracing Today

The sun shined brightly through the few orange and yellow leaves that remained on the barren winter maple trees in Yasukuni’s Shinchi Teien garden. War and controversy would be the furthest thing from anyone’s mind crossing the stone bridge over the garden’s pond.

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A young couple dressed in traditional Shinto wedding clothing payed their respects at Yasukuni’s alter. Young archers practiced in the distance behind the shrine’s sumo arena, home to the annual spring wrestling tournament. The Nōgakudo stage was empty, but is often filled with traditional Noh plays and dance performances. The lively flea market began to quiet as vendors packed up their wares.

I don’t know the right answer for Yasukuni. The families of Chinese and Korean citizens who suffered during World War II have a right to be upset by the “glorification” of war criminals. Japanese who lost family members on the battlefield of not just WWII, but countless other wars, have a right to be upset that their loved ones aren’t allowed to rest in peace. Americans who lost loved ones at Pearl Harbor would be justified in cringing at the monuments to those responsible for taking their lives.

Maybe the right answer is that there isn’t one. To move forward, someone will have to be willing to leave the past behind. It will take the strength of nations, which is a lot to ask in this day and age.

 

A Ramen Story

Homemade vegetarian ramen

In the U.S., ramen is a staple among poor college kids. A buck will get you three or four meals worth of freeze-dried noodles and too-salty seasoning packets.

Ramen in Japan is a different story. You can still buy the instant stuff, but for roughly the same price, you can head to one of a jillion ramen shops for the real thing. Here, ramen is an artform. It’s full of complex flavors created by labor-intensive processes.

The base is called dashi. It’s made by boiling aromatics like onions, garlic and ginger with konbu (dried seaweed) and katsuoboshi (dried, smoked fish shavings). Recipes are passed down through generations, refined over hundreds of years. In traditional-style restaurants, chefs are judged on the quality of their dashi. Dashi is subtle, but key to the essence of Japanese food as it serves as the basis for most Japanese recipes. It’s also part of the reason it’s difficult to be a non-fish-eating vegetarian in Japan.

The soup broth is typically made from pork. A thick white stock is made from simmering the bones, fat and meat for several hours. The broth is strained and added to the dashi, creating the core of the soup.

Ramen noodles are fresh, not freeze-dried. They’re made from kansui (an alkaline salt water) or eggs, giving them the durability to rest in a hot broth without disintegrating. They come in a variety of thicknesses, often depending on the region.

The toppings are what really differentiate ramen from region to region and chef to chef. A thin slice of pork is typically placed on top. Miso paste might be added, giving the broth a rich, saltier flavor. Korean chili paste can be added to create a spicy ramen. Ground pork might float in the bowl, adding another layer of flavor and texture. A salad with green onions and bean sprouts tossed in sesame oil is one of my favorite extras.

A soft-boiled egg is often included, although some shops just place a bowl of hard-boiled eggs on the counter. Soy sauce, raw garlic, chili oil and Japanese chili powder (shichimi) are common DIY additions provided by the shops.

Finding a good vegetarian ramen, even in Tokyo, is difficult. Strike good… just finding vegetarian ramen period is tough. The best is at T’s Tantan in Tokyo Station. Even non-vegetarians line up at all hours for their various vegan ramen options. The Ramen Museum in Yokohama also has a few tasty choices. But your corner ramen shop isn’t going to be much help. They take pride in their soup and aren’t really equipped to modify the broth for you.

Fortunately, making authentic-tasting vegetarian Japanese ramen at home is pretty easy. True to form, my recipe uses a homemade dashi and broth with storebought fresh ramen noodles. Outside of Japan, you should be able to find most ingredients at Trader Joe’s/Whole Foods-type stores or a local Asian market. It’s a great meal for these cold winter nights!

Spicy Miso Ramen (Vegetarian)

Dashi

  • 6 cups water
  • 1 tbsp no-chicken bouillon + 1 tsp no-beef bouillon
  • 2 cloves garlic, crushed
  • 14 grams peeled raw ginger, sliced (thumb-sized piece)
  • 2-3 green onions
  • 3″ x 1″ (8 x 3cm) dried kombu
  • 1 tsp sesame oil

Soup Base

  • 3-4 tbsp miso paste
  • 1 tbsp + 1 tsp sake (mirin can be substituted)
  • 2 tsp soy sauce (full-salt is best)
  • 1/8 tsp sugar
  • 1/4 tsp Korean chili bean paste (Tobanjan)

Seasoning

  • 1 tbsp + 1 tsp sesame oil
  • 1 clove garlic, grated

Noodles

  • Fresh ramen noodles

Toppings

  • Green onions, sliced for garnish
  • Soft-boiled or poached eggs — 1 per bowl
  • Fried tofu, sliced
  • 1/4 cup small-crumble TVP with enough dashi to cover
  • 1/2 cup corn kernels, pan-fried in butter and salt

Directions

  1. Prepare the toppings before making the soup and noodles. Once the noodles are cooked, you will need to add the soup and toppings right away or the noodles will get soft.
     
  2. Put dashi ingredients in a large pot and let boil for 15 minutes. Strain, then put the broth back in the pot.
     
  3. Add soup base to the dashi and let it simmer at low heat. Push the miso paste through a wire mesh strainer with the boiling dashi to make sure you don’t have large lumps of salty miso paste in your soup.
     
  4. In another pot, add ramen noodles to boiling water. Cook according to the package—about three minutes for fresh noodles.
     
  5. While cooking noodles, add seasonings to the soup and stir.

Assembly

  1. Put TVP into the bottom of each bowl.
  2. Divide noodles into each bowl.
  3. Add soup.
  4. Top with tofu, eggs, corn and green onions.

Serve with a deep soup spoon and chopsticks.

If you try it, leave a note in the comments and let me know what you think!

Kawagoe Farmers Market

A young girl braving the rain at the Kawagoe Farmers Market at Renkeiji Temple

Recently we stumbled on a small grocery in central Kawagoe. In addition to locally-grown grains, they had also had a decent selection of organic products and even a couple vegetarian items! I had just “liked” them on Facebook (because I like them in real-life) when the flash of a logo caught my eye. The Kawagoe Farmers Market!

The Kawagoe Farmers Market at Renkeiji Temple
The Kawagoe Farmers Market at Renkeiji Temple

Most local events are advertised to, well, locals, meaning everything is in Japanese. The farmers market site is no different, but with a bit of translation work, I figured out it’s held monthly at Renkeiji Temple in the heart of the old town area called Koedo. Back home, spending a Saturday wandering around local farmers markets was one of our favorite activities. We’ve found a couple really good ones in Tokyo, but making the hour-plus trip into the city can be daunting. We were excited to check out this local option.

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The market was bustling considering the cool and soon-to-be rainy weather. A local band performed at one end of the market; the music could be heard from a block away. Kids and adults alike toiled away at the craft tables, making Christmas ornaments, pomander balls (clove-poked oranges) or decorating reusable market bags.

Our heads swiveled back and forth, led by our noses, as market-goers walked by with lunches prepared from locally-grown ingredients. Soups, noodles, sweet potatoes, tea, coffee and sake.

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The unforecasted rain didn’t dampen anyone’s spirits. The Japanese are magically prepared for rain in a way I’ve never seen anywhere else. Adorable children popped open equally-adorable umbrellas that engulfed their tiny frames. In the area with the food stalls, people ate with one hand while holding umbrellas over the table with the other.

We ordered a unique take on ramen for lunch. Thick noodles tossed in a homemade sauce and topped with thinly sliced raw onions and a special blended sauce made from wakame (seaweed) and capers.

Oyaimo—Japanese taro root—is in season and sold by all the produce vendors, including Narukawa Farms
Oyaimo—Japanese taro root—is in season and sold by all the produce vendors, including Narukawa Farms

A friendly local who spoke near-native English explained the mysterious seasonal produce to us. In addition to a beautiful head of purple cabbage, we bought a bag of oyaimo—Japanese taro root— and some sweet yellow carrots. A local farm offered free-range eggs. We bought a bubble-wrapped bag of 20 to go. We rounded out our purchases with some really flavorful black rice crackers and an organic black rice beer.

Waffles at the Fuku Fuku Stand near Renkeiji Temple. Cranberry syrup on the left and maple syrup on the right.
Waffles at the Fuku Fuku Stand near Renkeiji Temple. Cranberry syrup on the left and maple syrup on the right.

As we exited the shrine, I noticed a waffle stand that we’d seen on television a couple months ago, but never managed to stumble upon. One last snack for the day!

On Monday, my Facebook feed filled up with photos that vendors and visitors took at the market. Full bellies, full hearts and full smiles everywhere!

Free Beer!

My collection of Japanese craft beer from the BeerTengoku free beer contest.

Last month, the guys over at BeerTengoku ran a contest offering free Japanese craft beer for simply connecting with them via the blog and various social media sites. Much to my surprise, I received an e-mail last week letting me know I was the winner of the contest!

BeerTengoku is easily the go-to English-language site for the burgeoning craft beer scene in Japan. It’s run by ex-pats who noticed the lack of information available in English and they’ve filled the gap admirably, featuring beer reviews, interviews with craft brewers and details about events all over the country.

My prize arrived last night and featured a great selection of six beers from breweries all over Japan. Once they’ve been enjoyed, I’ll make notes over at the Beer Journal. Here’s the lineup:

  • House IPA by Tamamura Honten Sake Brewery, Nagano Prefecture

  • Stout by North Island Beer, Hokkaido Prefecture

  • IPA by North Island Beer, Hokkaido Prefecture

  • Smoke & Fire Habanero Stout by Baird Beer, Shizuoka Prefecture

  • Red Ale by Iwate Kura Beer, Iwate Prefecture

  • Imperial Red Ale by Ise Kadoya Brewery, Mie Prefecture

Chichibu Night Festival

Fireworks and floats at the Chichibu Night Festival in Chichibu, Saitama

Tradition trumping modernity brings me great joy. For more than 300 years, the Chichibu Yomatsuri (Night Festival) has been held annually on December 2 and 3. It doesn’t matter if those days fall on the weekend or, as they were this year, Wednesday and Thursday.

The midweek schedule didn’t stop visitors flocking from Tokyo and beyond out to the small town in the foothills of the Okuchichibu Mountains. The festival is considered one of Japan’s three great float festivals alongside those in the cultural titans of Kyoto and Nara.

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The best part about night festivals is that they start around dinner time, so it’s a great excuse to pig out on festival food. There’s a lot of festival standards, but each town also has its own unique festival foods. In Chichibu, we saw a variety of dumpling soups and omusoba, which is an egg omelette wrapped around yakisoba noodles and topped with a sunny-side-up egg, ketchup and mayonaisse. It was kind of amazing.

December 3 is the main day of the festival. The parade features floats carried from Chichibu Shrine to the city hall where they’re displayed and used as stages for kabuki performances.

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The float parade is lively with a group of young people leading the way with chants of “Ho-ryai!” (“Hooray!”). The massive float follows behind, performers waving lanterns on the stage built into the front and others hanging from the top, at least 20-feet above the ground.

Read an interesting perspective on the building of the floats at Sonic-Yoshi

The ornate floats, called “yatai,” are built using Japanese elm wood and weigh as much as 20 tons. They move slowly through the streets until they reach the intersection near Ohanabatake Station. Here they perform a ceremonial turning of the float called nonoji-mawashi, or “Turning in the Shape of No.” In this case, “no” is the character .

The danger is palpable; the gasps from the crowd audible. It takes a dozen people using long wooden pillars to lift the end of the float enough that someone can crawl underneath and rearrange the direction of the wheels. Dozens more push the behemoth into its -shaped turn.  All the while, the float lists, leans and wobbles like a disaster waiting to happen.

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Before, during and after the parade, the sky lights up with hundreds of fireworks. Hanabi (firework viewing) is usually a summertime event, so the show in Chichibu is unique in December. It also gave us an opportunity to try out the “Fireworks” setting on our camera, capturing some fun shots.

I find myself running out of superlatives for the things we’re so fortunate to experience in Japan. Chichibu is one of our favorite places in Japan (see here and here and here) and it just received another tick in the plus column.

Video: Chichibu Night Festival

Satta Pass: Walking Through History

Mt. Fuji as seen from Satta Pass

Today, the Tokaido (literally “East Sea Road”) is made up of major highways and the Tokaido Shinkansen line, the world’s busiest high-speed rail line linking Japan’s biggest cities. If you’ve ever traveled between Tokyo and Kyoto, you’ve been on the Tokaido.

But the Tokaido has a long history. 400 years ago, it was the most important of the five roads linking the then-capital of Kyoto to Tokyo during the Edo Period (1603-1868). Travelers would traverse the 514-kilometer path by foot, stopping along the way at the 53 (later 57) post stations where they could rest, eat and purchase supplies.

Utagawa Hiroshige's ukiyo-e painting "16th station : Yui" shows the view of Mt. Fuji from Satta Pass.
Utagawa Hiroshige’s ukiyo-e painting “16th station : Yui” shows the view of Mt. Fuji from Satta Pass.

The original 53 stations were captured in a series of ukiyo-e (wood block paintings) by Utagawa Hiroshige, the last great master of the artform. His collection, “The 53 Stations of the Tokaido,” ushered in a new era of landscape painting and is one of the most popular series of paintings in the world.

A couple weeks ago, we found ourselves on the Tokaido for the fall conference of the Japan Association for Language Teaching (JALT) in Shizuoka City. The city itself wasn’t incredible noteworthy, but it’s location on picturesque Suruga Bay plants it squarely in the middle of history.

Not much remains of the original road, but a hiking route still exists along Satta Pass—one of the most dangerous areas of the original road—between the 16th station at Yui and the 17th station at Okitsu. Since we were staying near the 18th station (Ejiri) in Shimizu, we decided to arrive a day early and walk a bit of the Tokaido.

Our first view of Mt. Fuji was a surprise
Our first view of Mt. Fuji was a surprise

Before heading out, we stopped for breakfast near Shimizu Station. We sat on a sidewalk bench facing the shops, enjoying our meal when I glanced over my shoulder. I nearly choked on my coffee when I saw the imposing Mt. Fuji filling up the background between the buildings. We rotated 180-degrees and finished our meal.

The plan was to follow the Tokaido from Ejiri to Yui. We popped into the tourist information center and asked for guidance on our proposed path. In typical Japanese fashion, we were given an answer to our specific question. However, more useful advice would have been to skip the stretch from Ejiri to Okitsu.

The modern-day Tokaido is a major highway overlooking Suruga Bay's active industrial area.
The modern-day Tokaido is a major highway overlooking Suruga Bay’s active industrial area.

The three-mile walk to Okitsu wound through modern neighborhoods, past working warehouses and along the current Tokaido—a major highway. We were already tired by the time we reached Okitsu, but a quick stop for taiyaki got us going again.

Near Okitsu Station, we started to see people looking “hiker-ish” with their backpacks and comfy walking shoes, telling us we were probably on the right track. Even with the all-in-Japanese map we received at the tourist center, the start of the trail was tricky to find—and not just for us.

A Japanese couple had been about 100 feet behind us since Okitsu Station. We compared maps and notes, trying to find our way to the trail. Eventually, we took the road less traveled, heading up some stone steps along a narrow cement retaining wall where we found a set of stairs. Our new friends waited at the bottom for our signal… YES! We found the trail!

The Satta Pass marker, but where was the view from the painting?
The Satta Pass marker, but where was the view from the painting?

We followed the paved road up through the orchards, the trees plump with bright oranges ready for harvest. Finally we arrived at a proper trail, following it through a cemetery and up another hill. Before long, we came to the marker indicating the stretch known as Satta Pass. Just around the corner, we caught our first view of Mt. Fuji from the pass.

There is another famous collection of ukiyo-e paintings by Katsushika Hokusai called “Thirty-six Views of Mount Fuji.” We created our own version of this as there wasn’t a bad photo from the pass, which has two great viewing areas. A platform is set up with signage comparing the view from the pass to Hiroshige’s original painting.

Looking over the orange orchards at Suruga Bay
Looking over the orange orchards at Suruga Bay

We soaked in as much of the view as we could, then continued down the trail. The local orchard sold bags of mikan oranges for just 100 yen at a small rest area and parking lot and sold several bags while we caught our breath (including one to us!).

Views of the mountain continued to pop in and out between the orange trees. We passed hikers coming from the opposite direction, still full of energy and smiles as they were just getting started, likely ignorant to the hills that awaited them.

The old streets of Yui
The old streets of Yui

A group of older Japanese hikers caught up with us as we entered the old streets of Yui, which were reminiscent of the old part of Kawagoe. They had planned to make their way all the way to the mountain, but rain on Fuji cut their plans short. They were great walking companions for the stretch run, making chit-chat with us along the way.

A "decorative" gate in front of Yui Station, showing the sakura-ebi (cherry shrimp) that are famously found in Yui's part of Sugura Bay
A “decorative” gate in front of Yui Station, showing the sakura-ebi (cherry shrimp) that are famously found in Yui’s part of Sugura Bay

We arrived at the Sakura Ebi (Cherry Shrimp) Street gate in front of Yui Station exactly five hours after our first glimpse of Fuji at breakfast. Walking in the footprints of history is exhausting work, the welcome sight of the station just as satisfying at it might have been in the 1600s.

 

Saijo: Japan’s Sake Capital

Saijo is one of Japan's oldest and most famous sake brewing cities

On our last day in Hiroshima, we went off the beaten path to the small town of Saijō. Located a scenic 45-minute train ride from Hiroshima Station, Saijō is famous for being home to 10 of Japan’s best known sake breweries, earning it the title of Japan’s Sake Capital.

First things first. I owe sake an apology. When I had my first beer at, let’s say, 21 years old, I was not a fan. It was probably some garbage like Coors Light. But as I discovered craft beer, I found a love for the creativity and passion brewers put into their products. Each is unique, the character of the individual brewer represented in every beer.

I didn’t like sake when we came to Japan and frankly wasn’t interested in trying it until a few months ago. If you agree with me, you’ve probably only been exposed to table sake like I had been. It turns out the sake brewing industry is as diverse and creative as the American craft beer scene.

Graphic explaining the different styles and quality of sake.

In touring six of the eight breweries in Saijo’s city center, we learned more about sake than we ever thought possible. There are strict guidelines for way rice is milled, how long the sake ferments and at what temperature. There are two distinct styles that have different flavor profiles from brewer to brewer.

Sake 101

First, the word “sake” itself isn’t entirely accurate. In Japanese, “sake” means “alcohol” or “liquor” and refers to all alcoholic beverages. I once asked the shelf-stocker at the grocery store where the “sake” section was. He pointed to the entire beer, wine, etc. cooler with wide arms outstretched.

If you want “sake” in Japan, you want nihon-shu, or Japanese liquor. You can also find shochu, a distilled spirit closer to brandy or vodka.

The quality of sake depends on how much of the rice bran has been milled away before the brewing process begins. For table sake, there are no minimum requirements for the milling, while the best quality daiginjo/junmai-daiginjo has 50-60% of the bran milled away. The rice is a special variety that is only used for sake—it actually tastes horrible on its own. More than 80 varieties of sake rice are grown in Japan.

Table sake is the lowest quality of sake. If you’ve ever had hot sake or sake from a large plastic jug, you’ve had table sake. It’s the most common, making up 80 percent of the sake market, and usually tastes closer to rubbing alcohol than something you want to kick back with.

For premium sake, production branches into two paths. Honjozo, Ginjo and Daiginjo are made with pure distilled alcohol added into the brewing process. It results in bright, fragrant and crisp flavors. The Junmai styles don’t contain any distilled alcohol, instead relying on the natural alcohol created by the fermentation caused by Koji mold. Junmai sake has a fuller flavor profile with a thicker mouthfeel.

“Sake Town”

Saijō knows sake is what brings the visitors to town, so as soon as you exit the gates at JR Saijo Station, you’ll find the visitor center offering maps (in English!) guiding the way to the city’s various breweries. You’ll be offered variations of this map at each brewery as well. We collected three different brochures before we started turning them down.

A sample of the Sanyotsuru Hachimaru Junmai, a typical table sake. We bought a couple of the "Fuji" glass that the samples were served in.
A sample of the Sanyotsuru Hachimaru Junmai, a typical table sake. We bought a couple of the “Fuji” glass that the samples were served in.

Sanyotsuru, a brewery that has been making sake in Saijō for more than 100 years, was our first stop. It’s blink-or-you’ll-miss-it building has a charming tasting room. The first taste is free, but each additional taste is only 5o yen (about 40 cents USD) and it’s worth it to add on. Plus, the tasting expert taught us a new word that would come in handy for the rest of the day: shiin or “sample a drink.”

The well at Hakubotan Brewery. The pure drinking water is part of what gives Saijo sake their unique flavors.
The well at Hakubotan Brewery. The pure drinking water is part of what gives Saijo sake their unique flavors.

From there, we walked to the center of town, arriving at Hakubotan.Hakubotan is the oldest brewery in town with origins dating back to 1675. Outside, their well offers free drinking water to passer-bys (one man was filling up his drinking water jugs to take home), the same water used to make the sake. The fresh spring water is part of what gives Saijō sake its unique flavor. The folks at Hakubotan weren’t quite ready for us on a Wednesday afternoon, but they broke out the bottles and offered three good quality sake samples.

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Across the street, we popped into Saijotsuru. Saijō’s history is charmingly on display with the tall brick chimneys that were used in the traditional brewing process, but Saijotsuru is the only one that actually still uses its chimney in production. The overachiever in town, it’s unfiltered Junmai-Daiginjo has won 10 consecutive Monde Selection Gold Medals.

Saijotsuru was also the most generous in its samples. One other customer was in the tasting room and had likely been there for awhile based on the glow in her cheeks. In addition to the five bottles on the tasting counter, the tasting expert pulled a couple more bottles off the shelf for us to try. We were starting to get a little light on our feet after our visit.

The Kirei Brewery building is often used in the photos promoting the town. Its sake is unique as its more dry where Hiroshima sake is typically sweeter. They're also famous for their sake-infused udon noodles and soaps.
The Kirei Brewery building is often used in the photos promoting the town. Its sake is unique as its more dry where Hiroshima sake is typically sweeter. They’re also famous for their sake-infused udon noodles and soaps.

We wobbled down the street another block to Kirei. We were met by an older man who gave us a bit of the side eye. He seemed really nervous and the vibe was a little odd. In hindsight, I think he was anxious about having to use his English. After a few minutes and a few questions about his sake, he started to lighten up a bit.

Kirei’s sake was unique in that it was a lot drier than the other breweries. The crisp flavor was a nice break from the sweeter varieties.

The samples at Kamoizumi were some of my favorites of the day and the host was great.
The samples at Kamoizumi were some of my favorites of the day and the host was great.

We walked to the end of the street where we were met by a goofy young man at Kamoizumi. He gave us a sample of their drip-pressed Junmai-Ginjo, which ended up being one of my favorite tastes of the day. He also told us Hillary Clinton had visited a couple weeks before and bought a bottle of $200 sake. While I couldn’t verify this visit in the news reports, it made a nice story.

We were about sampled out, but he suggested we make one more stop at Kamotsuru.

Kamotsuru is the Hiroshima sake, brewing under its current name since 1873. It uses Japan’s best rice and employs Japan’s best brewers. It’s been the favorite of Edo period feudal lords and was the first brewery to make premium sake available to the general public.

But for all of its history, Kamotsuru earned a new place in Japan’s popular culture thanks to a hastily snapped photo in 2014. U.S. President Barrack Obama was visiting Prime Minister Shinzō Abe in Tokyo and the pair dined at the famous Sukiyabashi Jiro sushi restaurant in Tokyo. (Side note: If you haven’t watched the wonderful documentary Jiro Dreams of Sushi, check it out ASAP.A photo of Abe pouring Kamotsuru’s Daiginjo Tokusei Gold into Obama’s cup made the world news circuit and reignited the brewery’s popularity.

The photo appears several times in the tasting room as part of the marketing for the Daiginjo Tokusei Gold. And it worked as it was among the bottles we brought home with us. Each bottle features two gold foil flakes in the shape of cherry blossoms.

Sakagura Dori

In addition to the samples at the breweries, the walk itself is rather enjoyable. Sakagura Dori—or Sake Storehouse Road—gives a taste of what life might have been like in the 1600s as the Edo-era lords came to enjoy the best sake in the world. Each of the breweries have painstakingly restored their buildings, including original features whenever possible. The bright white storehouses stand in contrast to the gray modern apartments and shops that now share space with them.

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Saijō was a great way to wrap up our Hiroshima adventure, getting out of the city for a taste of the countryside. For more details on the city and the walking tour, head over the Saijō Sake website.

Zoom-Zoom: Mazda Museum

Mazda Headquarters in Hiroshima, Japan

Who would have guessed one of the coolest things we’d see in Hiroshima is a corporate car museum? Unbeknownst to us, Hiroshima is home of the Mazda Motor Corporation’s world headquarters and the company offers free tours of its in-house museum and assembly line.

Mazda World Headquarters in Hiroshima along the Enko River
Mazda World Headquarters in Hiroshima along the Enko River

The multi-story gray office building isn’t overly impressive from the outside. Inside, the lobby shines with that showroom look you’d find at most auto dealers. The 2016 model cars are all on display in the showroom; the new tire smell permeates the air and takes me back to my days washing cars at the Honda dealership the summer before college.

The 2016 Mazda Miata Roadster
The 2016 Mazda Miata Roadster

The waiting tourists ooh and ahh over the cars, each coated in Mazda’s sexy Soul Red paint job. Details about each vehicle are projected onto the floor, giving the experience a high-tech feeling. Everyone wants to take a turn sitting in the sleek 2016 Mazda Miata Roadster.

We’re told we’ll be taking a bus to the museum. It turns out the drab gray office building is just the trailhead to the main event.

On the bus to the museum. We shortly learned that no photos were allowed on the bus or in the factory, so technically this is an illegal selfie.
On the bus to the museum. We shortly learned that no photos were allowed on the bus or in the factory, so technically this is an illegal selfie.

Our guide gave a quick overview in English as we made the five-or-so minute trip to the museum entrance. The headquarters and factory are a small town within a town, complete with apartments for employees and its own private bridge crossing over the Enko River.

Some of Mazda's original models, including one of its first pickup trucks and the Familia, the forerunner of the Mazda Protege
Some of Mazda’s original models, including one of its first pickup trucks and the Familia, the forerunner of the Mazda Protege

We watched a short film on the history of the company. Mazda started out as Toyo Cork Kogyo Co., Ltd in 1920, a struggling manufacturer of artificial cork. Jujiro Matsuda, Mazda’s founder and a wealthy water pump magnate, took over management of the company and turned its focus toward tool manufacturing.

The Mazda-go was the company's first vehicle and changed Mazda's focus from tool manufacturing to vehicle manufacturing.
The Mazda-go was the company’s first vehicle and changed Mazda’s focus from tool manufacturing to vehicle manufacturing.

In 1931, the company now known as Toyo Kogyo released its first vehicle, a three-wheeled motorcycle with a truck bed called the Mazda-go. It was sold under the Mitsubishi name and featured a unique combination of the Mazda name over the Mitsubishi three-diamond logo on its gas tank. The success of the trike sent the company down a new path—vehicle manufacturing.

After the end of World War II, Toyo Kogyo played a major role in the rebuilding of Hiroshima; its own factory heavily damaged by the bomb. The appearance of the Mazda-go around town in the days after the bombing was a boon to the city’s morale.

Over the years, the company continued to produce new vehicles with the Mazda branding, but it didn’t officially change its name to “Mazda” until 1984.

Our favorite part of the museum was one of the places photography was strictly prohibited—the factory floor. The massive assembly line pumped out vehicle after vehicle, using a combination of robots and humans to accomplish individual tasks. Dashboards were installed at one station and the windshield at the next. Large claws—like you’d find in a arcade UFO Catcher game—lifted the vehicles to another station where the engine would be raised into the vehicle from below.

I could have stayed there all day, impressed more by the amount of engineering that went into designing the assembly line itself than the vehicles it was building.

Back in the museum, we saw some of the artifacts of the design process. Once a vehicle design concept has been created, clay artists build scale models of both the interior and exterior. Once the design is approved, a full-scale plastic version is created, giving a better sense of some of the manufacturing issues that might be encountered.

Just before returning to the bus, we were taken to a window overlooking Mazda’s private port. We saw massive parking garages outside, full of recently-completed cars and SUVs. They’d be driven onto the waiting ships in the port to be taken to other parts of Japan as well as overseas. If you drive a Mazda, there’s a good chance it started its life right here in Hiroshima.

A map of Mazda's factory campus in Hiroshima
A map of Mazda’s factory campus in Hiroshima

Visiting the Museum

Reservations to visit the museum can be made online up to a year in advance, but we made ours just a couple days before. The tours only run Monday-Friday and the English tour starts at 10 a.m. The museum is easily reached by train from Hiroshima Station.

If you can’t make it all the way to Hiroshima, Mazda has partnered with Google to make parts of the tour available via Google Street View. You can see the Entrance Hall, the History wing, the Rotary Engine wing and the Technology/Future wings of the museum. Alas, to see the best part of the tour—the assembly line—you’ll have to visit in person.

Hiroshima: 75 Years Later

The Peace Flame has burned continuously since August 1, 1964 and will continue to burn "until the day when all such weapons shall have disappeared from the earth"

How do you think about the unthinkable? From a young age, I’ve been fascinated by Hiroshima. In grade school, I read a book adaptation of the 1983 television movie The Day After. While the movie/book focused on a fictional Cold War nuclear attack, it stirred a desire to learn more about what happened in the world’s first real atomic bombing.

In middle school, I did a presentation on Hiroshima. It involved a diorama and an egg cracked from a foot above, representing the mechanics of the bomb. I showed photos of the “human shadows” that I found in library books. The flash of the bomb was so bright it bleached the concrete, leaving a dark “shadow” of anything in between, including people. It was pretty heavy stuff for an 11-year-old.

Sometimes I worried whether having an interest in something so horrible was normal, but it turns out it’s at the core of who we are as humans. Research shows that witnessing the suffering of others triggers our deepest sense of compassion. It’s almost as if it is happening to us. It’s why events like the assassination of John F. Kennedy, the September 11 attacks and the recent events in Paris capture our attention so thoroughly.

History in Shades of Gray

History seems like something that should exist in black and white. An event occurs, it’s recorded and that’s that. In reality, history lives in shades of gray, colored by the perspective of those who experienced it.

It’s also stained with the hues used by those who write it.

Over the years, I’ve read accounts from the crew of the Enola Gay, the bomber that dropped the bomb on Hiroshima. I’ve read the justifications from politicians of the time as well as the opinions of modern day pundits. The most common argument is that the bomb saved lives by ending the war prematurely. On August 9, the day the second bomb was dropped in Nagasaki, U.S. President Harry Truman said:

We have used [the atomic bomb] in order to shorten the agony of war, in order to save the lives of thousands and thousands of young Americans.

True, the war did officially end with Japan’s surrender to Allied forces less than a month after the bomb fell on Hiroshima. But in reality, the U.S. had very strategic reasons for dropping the bomb on Hiroshima in particular.

Hiroshima had not been subject to repeated bombings unlike Tokyo, Yokohama or Toyama. It would be easier to determine the destructive power of the bomb on a pristine target. Once Hiroshima was confirmed as a target, all planned air raids were canceled to keep the city intact.

Hiroshima had several military targets thanks to its location on the sea. But more importantly, U.S. intelligence (incorrectly) determined there were no Allied prisoner of war camps in the city. However, at least a dozen American POWs were killed in the blast, a fact not acknowledged by the U.S. government until the 1970s.

The most significant consideration may have been the Soviet Union’s decision to enter the war against Japan. The U.S. utilizing the atomic bomb had as much to do with thwarting the opportunity for Soviet influence in the region as it did with “saving lives.”

Hiroshima Peace Memorial Park as seen from the Peace Memorial Museum. The Memorial Cenotaph and Flame of Peace can be seen in the foreground. The Atomic Bomb Dome is in the distance.
Hiroshima Peace Memorial Park as seen from the Peace Memorial Museum. The Memorial Cenotaph and Flame of Peace can be seen in the foreground. The Atomic Bomb Dome is in the distance.

The Story of the Bomb

We tried our best to create balance in our Hiroshima visit, knowing that the day at the Peace Memorial Park would be a weighty one. We ate okonomiyaki, drank sake and visited historic and beautiful Miyajima. But absorbing the atrocities of the bomb were an important part of the visit.

Just 50 yen (40 cents USD) gets you in the doors of the powerful and well-done Peace Memorial Museum. English-speaking tour guides offer their services for free. The guides are volunteers who have a connection to the bomb in some way. Our guide’s father lived just outside the city in 1945 and was exposed to radiation in the days that followed. He still qualifies for the special government health care pass for Hiroshima victims.

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The museum is special not only for its contents, but also for its role in redeveloping the area around the hypercenter of the bomb. Construction of the museum and surrounding park began in 1952, focusing on remembering the victims in a way that promotes ongoing peace in the world.

The aim of the museum isn’t to paint America in a poor light. This museum is about peace going forward while making sure future generations don’t lose sight of the realities of what happened on August 6, 1945.

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Photo taken by the crew of the Enola Gay one hour after the bomb exploded over Hiroshima (National Archives)

Inside, the first image you encounter is a wall-sized photo of the mushroom cloud, taken by the crew of the Enola Gay an hour after they dropped the bomb. It’s followed by snapshots taken by amateur photographers from outside the city. Even in a city that had grown used to air raids, there was a sense that this one was different.

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A lifesize replica of bomb victims, their skin dripping from their bones

The realities of the destruction and the toll on human life are presented in provocative detail. Crumbling brick walls line the hallways. A scene backlit in a fiery red shows women and children walking through the rubble, their clothes hanging in tatters and their skin literally melting off of their bodies. Sadly, this isn’t done in exaggeration, but in historical accuracy.

A scale model of Hiroshima showing the size of the fireball created by the atomic bomb and complete destruction of the surrounding area.
A scale model of Hiroshima showing the size of the fireball created by the atomic bomb and complete destruction of the surrounding area.

A scale model shows the size of the fireball caused by the explosion in comparison to the city below. It’s massive and unimaginable. The shockwaves and firestorms flattened the entire city.

Yoshito Matsushige's photo of a makeshift relief center, one of only a handful of known photos from the day of the bombing. The young girl at the back found her father at the relief station, but her mother was killed in the blast.
Yoshito Matsushige’s photo of a makeshift relief center, one of only a handful of known photos from the day of the bombing. The young girl at the back found her father at the relief station, but her mother was killed in the blast.

Photos from inside the city on the day of the bombing are rare. According to our guide, there are only three, taken by photographer and Hiroshima resident Yoshito Matsushige. Matsushige recognized the importance of the moment, snapping a photo of a family reuniting outside a makeshift relief center. Other memories of the days surrounding the bombing are thoughtfully captured in drawings from those who survived.

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The physical artifacts carry the most weight. Remnants of school uniforms burned off the children who wore them. Small details are left intact, like a school pin attached to a shirt collar. A metal lunch box with a child’s lunch still inside, burned to an unidentifiable black mass.

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Sumimoto Bank donated the steps of its Hiroshima branch. The steps show one of the aforementioned “human shadows.” It’s thought to belong to a customer sitting on the steps waiting for the bank to open. A dark spot still remains, its owner vaporized by heat of the 10,830°F blast. In an instant, humans disappeared from the face of the planet leaving nothing but a dark spot on the ground.

The tricycle belonging to 3-year-old Shinichi Tetsutani, killed on the day of the bombing. His beloved tricycle was buried with him.
The tricycle belonging to 3-year-old Shinichi Tetsutani, killed on the day of the bombing. His beloved tricycle was buried with him.

Shinichi’s Tricycle

One of the more touching stories accompanies a rusted tricycle belonging to 3-year-old Shinichi Tetsutani. Shinichi was riding his beloved toy in front of his home on the morning of the bomb. He was badly burned by the flash and died later in the day.

Shinichi’s father felt his son was too young to be buried alone, so he buried his boy and the tricycle in a grave in the backyard. Forty years later, Shinichi’s father recovered his son’s remains and moved them to the family cemetery. The tricycle was donated to the museum.

Hiroshima's Children's Peace Monument, dedicated to 12-year-old Sadako Sasaki who famously folder 1,000 paper cranes as a wish to recover from leukemia caused by the atomic bomb.
Hiroshima’s Children’s Peace Monument, dedicated to 12-year-old Sadako Sasaki who famously folder 1,000 paper cranes as a wish to recover from leukemia caused by the atomic bomb.

Children’s Peace Monument

One of Hiroshima’s most famous stories belongs to Sadako Sasaki. Sadako was the inspiration for Sadako and the Thousand Paper Cranes, a children’s book written by American author Eleanor Coerr. The real-life Sadako was 2-years-old on the day of the bombing, living just over a mile from the hypercenter. The force of the blast sent the toddler through a window of the family home. Her mother found her outside, apparently unharmed.

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Nearly 10 years later, Sadako developed an acute form of leukemia and was given a year to live. While in the hospital, she met another girl just a couple years older than herself who told her the legend of senbazuru. Anyone who folds 1,000 paper cranes would be granted a wish.

In all, she folded more than 1,400 cranes, some as small as a housefly, before losing her battle in October 1955. Her classmates folded 1,000 cranes that would be buried with her. The paper crane is now a popular symbol for peace in Japan and around the world.

In 1958, the Children’s Peace Monument was unveiled in the Peace Memorial Park. Sadako is on the top, holding one of her cranes. During our visit, groups of children passed through to ring the bell which, of course, has a bronze crane attached to its chain. Around the outside, display cases hold thousands of paper cranes that have been folded by children around the world and donated to the park.

Hiroshima Today

Today’s Hiroshima resembles most other major Japanese cities, built and rebuilt since the 1950s and full of office buildings, shops, restaurants and parks. Yet, Hiroshima’s history always contains a dark footnote.

Hiroshima Castle catches the afternoon sun
Hiroshima Castle catches the afternoon sun
  • Hiroshima Castle was constructed in the 1950s, but was destroyed by the atomic bomb and rebuilt in 1958.
  • The Prefectural Industrial Promotion Hall opened on August 5, 1915, but was destroyed by the atomic bomb. The rubble has been preserved as the Atomic Bomb Dome.
  • The historic Shukkei-en Gardens were designed in 1620, but suffered extensive damage by the atomic bomb and were renovated in 1951.
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Messages on the wall at Fukuromachi Elementary School. The wall was blackened by the fire. Teachers and pupils wrote messages regarding their whereabouts on teh wall with chalk. Similar messages were written on walls all over the city. Those searching relief stations for family and friends looked for messages like these.
  • Fukuromachi Elementary School opened in February 1873. 160 students and teachers were killed by the atomic bomb. It reopened in May 1946 with 37 students.

To experience Hiroshima in person is to have the most effective history lesson possible. Hiroshima wasn’t a city full of military personnel; it was a city of families. Mothers. Fathers. Brothers. Sisters. It was people going about their daily lives in the midst of a World War. Fishermen and businessmen. It was a city of people whose lives were destroyed in a literal instant.

But it’s also a city of hope, literally built on the mistakes of the past. It’s living proof of the resiliency of people in spite of the evils carried out in the name of war and righteousness. Hiroshima is a lesson that should never be repeated, but should be learned from over and over again.

Miyajima

We started our day before the day itself got underway, arriving at the Miyajimaguchi Pier ferry terminal just as the sun began to rise over Itsukushima Island. The ferry set sail right on schedule, carrying us through the morning mist hovering atop Hiroshima Bay.

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Sunrise over Hiroshima Bay and Miyajima

As we approach, the inspiration for the island’s popular nickname—Miyajima (Shrine Island)—emerges through the mist. First, the Great Torii, glowing in orange lacquer, appears just beyond the water’s edge. Then, the sprawling complex of Itsukushima Shrine and the five-tiered pagoda comes into view. It’s picture perfect.

The Great Torii of Miyajima appears in the morning mist
The Great Torii of Miyajima appears in the morning mist

The Great Torii and Itsukushima Shrine are both listed among UNESCO’s World Heritage properties, and for good reason. The Great Torii is in its eighth iteration, this one standing since 1875. Built from 500 year old camphor tree, the 16-ton gate rises nearly 55-feet into the air. Perhaps most impressively, it stands directly atop stones on the seabed instead of being buried into the ground. The weight of the wood and seven tons of fist-sized rocks hand-set in the roof keep the torii planted in place.

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We arrived early enough to be able to spend an hour or so walking around the torii with only a thin crowd joining us. At low tide, you can walk all the way through the gate, the seabed just firm enough from the dried mud and seaweed. We snapped photos from every angle imaginable. We offered to take photos for strangers who offered the same in kind. A quiet and peaceful morning in a tranquil place.

In fact, we arrived so early that none of the shops on Miyajima’s shopping street had opened yet. Around 9 a.m., we finally spotted a cafe propping its doors and stopped in for coffee. Continuing down the street, we tried some of Miyajima’s famous maple leaf cakes and spotted one of the island’s novelties: the world’s largest rice scoop. A Korean dance group set up near the ferry terminal, the rhythmic beat of their drums audible all over the island.

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As the crowd thickened, swarming in every 20 minutes via the ferry, we sought higher ground. The Uguisuhodo Nature Walk trail climbs steadily into the heart of the island, finally meeting up with the Miyajima Ropeway station. The cable cars graze the treetops on their way to the top of Mt. Misen.

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Mt. Misen’s Observatory offers panoramic views of Hiroshima Bay and the surrounding islands. Temples and shrines dating back to the 9th century sit just below the mountain’s summit, full with tales of miracles circulating around Daisho-in Temple’s founding monk, Kobo Daishi.

One of the most popular attractions is Kiezu-no-hi or The Eternal Flame. It is said to have been lit by Daishi himself in 806 AD and continues to burn to this day. Water boiled in a tea kettle over the flame is thought to hold magical healing powers. The flame itself was used as the pilot light for the Peace Flame that burns in Hiroshima’s Peace Memorial Park.

While the torii and the shrines are the main draw, Miyajima might be just as famous for its wild deer. After living with generations of tourists, the deer are mostly docile and don’t really care about the thousands of people walking through their home. However, when feeding time comes, they turn into quite a nuisance, digging into bags or just swiping things out of people’s hands. As we watched the sunset, a deer with a cataract came up and snagged our map of the island out of our bag. He chewed it and swallowed it down, his creepy cloudy-white eye staring at us the whole time.

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Miyajima Firewalking Ceremony

In a moment of travel serendipity, we happened to land on Miyajima on the day of Daigan-ji Temple’s Hiwatari-shiki or Firewalking Ceremony. The ceremony is only held twice a year, once in April and once in November.

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The temple’s monks go through an hour-long ceremony, building a towering bonfire fueled by thousands of wooden stakes—offerings left throughout the year by worshippers. They smooth the coals several times over with long bamboo poles as the flames rise and fall. Purifying salt is thrown over the flames and pine branches laid at either end of the inferno. There’s chanting, a conch-shell horn and a lot of theatrics.

As they near the end, one of the monks begins an intricate final dedication, writing Japanese characters in the air with his arm. Suddenly, as the fire returns to its peak, the monks run through one by one. With the drawn out ceremony, the haste of the climax is almost shocking.

Once the flames die down and only the hot coal remains, visitors are invited to partake in the ceremony. The line wrapped around the temple as tourists passed over the coals one by one.

Video: Miyajima’s Firewalking Ceremony