Day two of our Osaka adventure was consumed by the majestic Osaka Castle (大阪城). We were lucky enough to visit on the weekend the castle honored the 400th anniversary of the Siege of Osaka, filling the park with several bonus events.
Osaka Castle Park was just a short walk from our apartment, located in the middle of the government-building-heavy Chuo Ward. The surrounding area is typical modern Japan, but the park is a sprawling green compound—nearly half a millennium of history in the heart of today’s Osaka. We entered through Otemon Gate on the west side of the complex, Sengan-yagura and Tamon-yagura turrets looming as a reminder of the area’s more violent shogunate past.
Upon entering the compound, you get a sense of what life may have been like in those days gone by. Even today, the Shudokan (martial arts training hall) is brimming with life, hosting judo, kendo and naginata classes.
Nearby, a large statue honors Toyotomi Hideyoshi, the mastermind of the castle’s construction and Japan’s second “great unifier” responsible for ending a century of war in Japan’s feudal period.
Not long after, we had our first glimpse at the architectural masterpiece itself. Sakuramon Gate frames the castle and marks the entrance to the main part of the castle grounds.
The grounds were lively with the festival remembering the 1614-15 Siege of Osaka, which resulted in the destruction of the original castle. Modern interpretations of traditional music filled the air. People in period costume wandered the park, snapping pictures with willing tourists.
A Hōzōin-ryū demonstration (see video below) captivated the crowd. Hōzōin-ryū is a form of martial arts that specializes in sōjutsu or spear-fighting. The men wielded the yari (spear) with the respect demanded by history, showing off the different maneuvers like a choreographed dance.
We took a break from the castle to find lunch. We headed back for the entertainment side of town and landed in Amerikamura. Known by the locals as “Ame-mura,” the area of American Village is Osaka’s take on western culture. While it has a reputation as a foreigner hangout, there aren’t actually many foreigners in the area. It felt very similar to Tokyo’s Harajuku district as far as the types of shops and fashion, but decorated with a tired caricature of the good ol’ USA.
We tracked down a Canadian-owned pizza joint called Slices and had a veggie pizza, some tasty fried potato strings and a nacho-style poutine. Refueled, we headed back to Osaka Castle for the rest of the festivities.
We re-entered the park from the southeast side, which leads into Forest Park and the Plum Grove. A climb up a Fuji-steep set of stairs led back into the main part of the park. The sun was beginning to break through the clouds, casting a yellow glow on the city and the castle.
The park closes around sunset, bringing an end to our time at both the castle and Osaka in general. The next morning we’d be on the express train to Kyoto.
I was riding the bus back from the train station the other afternoon. Since it was mid-day, it was mostly me and the local seniors running their errands, so I sat in the back row to keep the more-accessible forward seats free.
Across the aisle and a couple seats in front of me, a man was reading a newspaper, a common sight among the commuter crowd. However, something caught my attention as he opened up the broadsheet…
“That’s a naked lady,” I thought to myself.
Sure enough, right there in the middle of the newspaper was a large photo of a topless woman. A smaller picture near it featured a half-topless woman. Some scantly-clad women stared seductively from the series of ads across the bottom of the page. The folio across the top of the page read “スポーツ” or “Sports.”
Is this normal? In the U.S., if you see someone looking at this stuff in public, there’s an air of secrecy or at least an attempt to conceal, but this guy had the paper pulled open to the length of his wingspan. I looked at the man sitting behind him to see if he had a reaction. I saw him peek at the page a couple times, but otherwise he was unfazed.
At one point, the man pulled the classic broadsheet adjustment maneuver. The problem with the large newspaper format is that it requires two hands to hold it open. Occasionally, the middle will collapse and, since both hands are occupied, you have to use your head to push the center fold back to its intended position.
Of course, when he adjusted the paper with his head, his face was pushed right up against the naked lady. This happened more than once, which made me question the true intent of the head-adjustment maneuver.
He spent some time on this page, reading the articles I’m sure. Eventually he flipped to another page. I expected to see more naked ladies, but instead I saw a pop culture page, an actual sports page and some local and national news. This wasn’t a smut rag at all… this was the newspaper! The actual newspaper!
According to a few articles I’ve found, this has been part of the newspaper for decades. Articles back to the mid-80s talk about the problem of newspaper nudity on the trains during rush hour. More recent articles talk about the tabloid-like newspapers, targeted at the male commuter, featuring gossip, scandal and, of course, some naked ladies.
Last week, a school event gave us a nice long five-day weekend. We took advantage of the time to visit the metropolis of Osaka and Kyoto in Japan’s central Kansai region. This will be the first of a series of posts since we packed a LOT of activities into those five days. Plus, a new feature… read to the end to find out more!
We were excited about our first real Shinkansen (bullet train) trip, which covered the 500 km trip from Tokyo to Osaka in about 2 1/2 hours. Technically, the train to Narita Airport in Chiba is a Shinkansen, but it doesn’t really reach the speeds that the Nozomi trains do.
The Shinkansen culture is an experience in itself. There is a definite sense of velocity, especially once you get out of the Tokyo metropolitan area and are speeding along the southern edge of Honshu. The train feels like a much more comfortable airplane. The seats recline to a healthy 45 degrees, but with ample legroom, you don’t feel cramped by the seat in front of you. Spacious airplane-style restrooms are located in between the cars and train staff bring a cart through offering snacks and drinks.
Many of the riders brought their own bento (boxed lunch) with them, which could be readily purchased at the train station. 1,000 yen (a little under $9 USD) will get you a large bento and a tall-boy can of Japanese beer. We had our American bento—a couple peanut butter and jelly sandwiches with potato chips.
We would have two days to see what Osaka had to offer. We dropped our bags at the apartment we found on Airbnb. If you haven’t tried it yet, Airbnb is a great way to find low-cost places to stay all over the world (I feel like they should pay me for that statement…). The apartment was comfortable and centrally located between three main train lines, making it easy to navigate the city.
While the PB&J was a nice train treat, it was time for a proper lunch. We headed down to the Japan we’ve all seen on television—Dōtonbori. At night, the popular tourist district lights up with neon and video (more on that later), but it’s pretty impressive during the day too.
Osaka is famous for its okonomiyaki. Okonomiyaki is basically a savory pancake. Each region of Japan does it a little differently, but Osaka-style is the most common in Japan. The batter is made from grated yam, flour, eggs and cabbage, then it’s topped/mixed with a variety of ingredients. Walking through Dōtonbori, there was no shortage of places offering up this Japanese soul food. We ended up lunching at Takohachi, more famous for its fried octopus balls (takoyaki), and dining at Kyo-Chabana after the line at the famous Mizuno didn’t move for 15 minutes.
After lunch, we walked over to the National Bunraku Theater and bought tickets for an act of that evening’s show. We had a couple hours before the show started and hunted down a cool craft beer bar called Yellow Ape. I’d learned about it when I reached out to Newport, Oregon’s Rogue Ales to see where we could buy their Pumpkin Patch Ale in Tokyo. I’d expected a form message in reply at best, but instead I received a quick personal message and was put in touch with Phred, their distributor in Tokyo. Phred not only offered up some Tokyo locations, but told me the dates the beer would be on tap and suggested Yellow Ape while we were in Osaka. Rogue was already pretty cool in my book, but I was really impressed with the personal and super-helpful service.
It turned out Yellow Ape was close to our apartment. We stopped in before the bunraku performance and enjoyed a pint of the Pumpkin Patch Ale and an excellent Shonan Orange IPA from Kanagawa’s Kumazawa Brewing.
Showtime! Bunraku is a type of puppet theater that was founded in 17th century Osaka. The performance itself begins at 11 a.m. and ends around 9 p.m. It consists of several acts and you can buy tickets for individual acts (about two hours) or the whole day. We opted for the single-act tickets.
The puppets (ningyō) are amazing up-close, standing between three and four feet tall. The heads of the puppets are divided into different classifications based on things like personality and social class and are used in multiple shows, so you can easily tell the heroes from the villains.
During the performance, the puppets are expertly animated by the puppeteers (Ningyōtsukai) and two assistants. While the assistants are dressed in black from head to toe (including a hood), the main Ningyōtsukai becomes part of the performance. The Ningyōtsukai is responsible for constructing their own puppet for the show, making the connection between puppeteer and puppet very personal.
For me, the highlight was the narrators (Tayū) and shamisen musicians, who sit side-by-side at the side of the stage. A different pair is revealed for each act from behind a rotating wall. The information provided at the performance says “The narrator and the shamisen player, in their twin positions, seem to be trying to top the other in artistry… but in fact they are in perfect unison: neither leads and neither follows.” It was a perfect description as each stood out in their artistry, but in a way that fit together. The shamisen is a three-stringed guitar and has that traditional Japanese music sound. The Tayū stretch and strain their voices as they fill the roles of all of the characters as well as that of the narrator.
While the performance was in Japanese (an English “gist” was provided in print and a more in-depth “gist” could be rented in recorded form), the artistry of the whole thing outweighed the story, which was quite violent and soap-opera-esque. By the end of the story, several characters were killed off and more than one revealed themselves to be disguised as someone else.
After the show, we headed back into Dōtonbori. By now, the neon signs illuminated the night and the crowds packed in tight for the quintessential Osaka photographs. Dōtonbori itself is just a collection of restaurants, shops and clubs, but the environment is energetic and highly entertaining.
In addition to the ornate and playful static signs mounted above most of the restaurants, several were also animatronic, willing you with their subtle wiggling toward their offer of goods and services. We took a few laps around the area, had the aforementioned okonomiyaki fix and headed back to our apartment to rest up. Our Kansai adventure had only just begun!
Cascadian Abroad :45
I’m trying something new with this trip. Pictures are great, but so much of the experience is, well, experiential. I thought it’d be great to share some moving images to provide a better feel for some of our adventures. Since our video camera is also our point-and-shoot camera and I’m a terrible videographer, I’m going to condense the essence of the trip into a 45-second video. Quick and easy to watch, plus a lower risk of motion sickness from my shaky hand! Here’s the first one… enjoy!
On the third weekend of October, seemingly all of Japan descends on Kawagoe for the Kawagoe Matsuri. And apparently they’ve been doing so for the last 360 years!
The first Kawagoe Festival was held in 1648 and has evolved over the last three centuries into a magnificent spectacle that engulfs about three square miles of central Kawagoe. Towering two-story festival floats with oversized “dolls” representing 29 neighborhoods of Kawagoe parade through the streets, a tradition as old as the festival itself. Such an important tradition that, in 2005, Japan named the Kawagoe Hikawa Festival Float Event as one of its National Important Intangible Folk Cultural Properties.
The Hikkawase (see video below) is the most impressive part of the event. As the giant floats approach each other on the streets of Koedo, they stop to “battle” one another. Hayashi groups play traditional music and attempt to get the other float to go off beat. Dancers in hyottoko masks face off with one another in a playful series of dances.
A short walk from the Imperial Palace sits Tokyo Station, host to more than 3,000 trains and nearly 416,000 passengers every day. However, the station is more than just a transportation hub. Completed in 1914, it’s seen war, assassination and rejuvenation over the last 100 years.
In 1921, Prime Minister Takashi Hara was assassinated at the station on a trip to Kyoto. Nine years later, Prime Minister Osachi Hamaguchi was shot in an attempted assassination and died a few months later. In 1945, much of the station was destroyed by Allied powers during the Second World War.
Today, Tokyo Station is a standard Japanese combination of function, commerce and history. Last week, we visited the station for the first time to buy our Shinkansen (bullet train) tickets for our upcoming trip to Osaka and Kyoto. We quickly got lost in the underground labyrinth of the station. Passageways are given “street” names to help navigate between the different lines as well as the myriad of shopping, dining and cultural opportunities throughout the station known as Tokyo Station City.
Fortunately, there are information desks in each area of the station with English-speaking attendants. We were given directions to the ticket counter, but first we needed to eat!
We hadn’t had a purpose to go through Tokyo Station before, so we’d been saving a special stop for this occasion. T’s Tantan is a vegan ramen shop located inside the JR gate of the station. We actually had to pay fare (140 yen) to enter the restaurant area even though we weren’t boarding a train.
The place was busy for 5 p.m. in Japan. There were a couple granola-types, but also a lot of people in business suits who showed up because the food was good. We ordered a couple amazing Tantan bowls, which are flavored-up ramen with fresh vegetables, and a side of fried soy meat.
T’s philosophy is playfully illustrated on the walls of the shop. One sign shows roughly-drawn figures of animals and a human surrounding the English words “We live to eat vegetables.” That’s when I knew this place was for me. We even scheduled our return trip from Osaka to arrive at Tokyo Station around dinnertime. Get ready T’s… I’m coming for you!
Popeye Beer Club was another stop on this side of the city that hadn’t fit into previous visits, but today it was just a short train ride from Tokyo Station in the Ryōgoku area. What started as a standard izakaya 60 years ago is now one of Tokyo’s best destinations for both local and international craft beer. Popeye even has several of their own brews among the 70-plus beers they rotate on tap.
For once, we took the approach of “Hey… we’re in Japan for awhile!” and skipped the local beers in favor of a taste of home. I had a Breakside Brewing IPA from Milwaukie, OR and a Rogue Shakespeare Oatmeal Stout from Newport, OR. Incidentally, that Breakside IPA recently won the 2014 Great American Beer Festival gold medal for best American-Style India Pale Ale. Viktoria had the Rogue Old Crustacean Barleywine, which was appropriately served in a snifter to trap the aromas of the macadamia nut and strawberry notes.
We did a lap around the neighborhood before getting back on the train for our 90 minute ride home. The famous Ryōgoku Kokugikan sumo hall is on the opposite side of the station from Popeye. While it was dark and locked up tight, you could still sense the grand tradition of this religious ritual-turned-sport. The outer walls were adorned with ukiyo-e murals of wrestlers and the modern temple (built in 1985) rises with an agelessness unmatched by its neomodern neighbors.
After seven months, we already have our standard stops in Tokyo, so it was great to explore a different part of this massive city. There’s a fair chance this day will see a repeat in about a week when we return from Osaka.